Welcome back, Marcia. Tell us about your salvation experience.
God saved me at a very young age, eight years old to be
exact. I immediately sensed that everything important had changed forever. I’d
love to report that I lived a life of total surrender from that moment on, but
I’m a slow learner. After too many tumultuous years away from God, we
reconnected in my late twenties. I discovered that, though I’d tried to walk away,
He’d been beside me all along. I made more mistakes, of course, but I’d drawn a
firm line in the sand. Come what may, I wanted no part of life without Him.
You’re planning a writing retreat where you can only have
four other authors. Who would they be and why?
One, an aspiring author who I would try to dissuade from
this crazy writing life.
Two, a brand new author who I’d offer to mentor.
Three, a contemporary to commiserate with.
Four, an author who’s sold a million copies so I can pick
his/her brain and suggest we co-author the next bestseller.
If one and three sound negative, it’s not my intent. Writing
is an all-consuming profession that not many people are ready for, whether they
think so or not. Those I couldn’t talk out of it belong there. Those who have
already taken the plunge are well aware it’s a love/hate lifestyle fraught with
highs and lows.
People are always telling me that they’d like to write a
book someday. I’m sure they do to you, too. What would you tell someone who
came up to you and said that?
I always tell them I’ll be glad to help. I explain the
process, involving hours spent writing first drafts, poring over books on craft,
checking style manuals, submitting your work to critique groups, joining online
communities, attending conferences to pitch your work to editors and agents, etc.
If their eyes don’t glaze with fear, I figure they must be serious.
At what point do you stop
proofing and editing and call a book done?
Writers are an insecure lot.
Seldom are we satisfied with our finished product. I don’t think we ever stop
tweaking our work. When I skim the pages of my published novels, I find myself
still editing, wishing I’d written a line a different way or twisted the plot
in a different direction.
Do you think reading other
authors helps you as a writer? If so, who do you read?
I believe reading anything helps me as a writer. If there’s
an author out there who wasn’t a reader first, I’d like to meet them. I think
loving to read is part of the writer makeup. Who do I read? There’s no space
here for that list. I have my favorites that I go back to repeatedly, but I
love to discover new talent. I recently judged the ACFW Genesis Contest, and if
those entries are an indication of the newly emerging pack of writers, I have
stiff competition at my heels.
Tell us about the featured book.
In Bandit’s Hope we discover the fate
of Tiller McRae, the runaway who disappears from North Carolina at the end of Raider’s Heart. In the years after he’s gone
missing, Tiller’s been up to no good, running with a ruthless band of thieves
along the Natchez Trace. Desperate to change his circumstances, he runs again--this
time landing on the doorstep of Bell’s Inn near Canton, Mississippi. Tiller
longs to pursue a relationship with the beautiful half-breed proprietress, but
knows his shady past and secret life of crime take him out of the running for
her heart and hand. Despite the danger he risks in staying, he finds it
impossible to leave Bell’s Inn and sweet-faced Mariah Bell.
Mariah struggles with her attraction to the young man who has
taken up residence at her boarding house, because his strength is the last
thing she needs. After the secret death of her father, Mariah needs a weak and
spineless husband to hide behind while she carries on as the new owner of
Bell’s Inn. Handsome, take-charge, Tiller McRae, with his broad shoulders and
manly ways will never do.
Can Mariah and Tiller escape the consequences of deception
and find a way to be together?
Please give us the first page of the book.
“For what shall it profit a man, if he shall gain the whole
world, and lose his own soul?” Mark
8:36
One
Pearl River, on the Natchez Trace, June 1, 1882
Mariah Bell reached the bottom
landing, stumbling under the weight of the most precious cross she’d ever had
to bear. Balancing her father’s lifeless body as best she could, she reeled
across the kitchen to the door she’d propped wide with her boots, a yawning
gateway to the backyard and the early-morning darkness.
A breeze laden
with the smell of magnolias met her at the stoop. The fragrant gust wrapped
around her face, and her labored breaths sucked in the scent of the blooms.
Mixed with the odor of Father’s pipe tobacco and the vile stench of his
illness, the cloying wind threatened to turn her stomach.
Searching blindly
with her toes, she found the top step then allowed the drag of her load to
shift her forward and over the threshold. Heart pounding, her panting gasps a
roar in her ears, Mariah tottered briefly at the edge of the second step.
Exhausted, she
surrendered to the pull of the earth, and her trembling legs staggered wildly
to the ground. When her bare feet touched the cold, wet grass, she glanced over
her shoulder at the shaded windows of Bell ’s Inn and whispered
a grateful prayer.
If one curious
lodger had peered out and caught her struggling along the hallway, knees bent
beneath her unlikely burden, she’d be undone. With her clumsy gait and heavy
tread, not to mention the squeaky step at the bottom of the stairs, it amazed
her they hadn’t.
“Just a little
farther,” Mariah whispered, a catch in her throat. “Almost there.”
If she could
get Father’s remains secreted away without Mrs. Viola Ashmore, the most
meddlesome woman in Mississippi ,
pressing her nose to an upstairs window, the unthinkable scheme might work.
Last night, the Widow Ashmore—Miss Vee, as
she liked to be called—had returned from her sister’s down in Natchez . Her arrival threatened to ruin
everything, and Mariah regretted the hasty decision to summon her home.
She trudged to
the waiting wagon bed and eased Father down, her muscles straining from the
effort to lower him gently. Clutching his nightshirt with determined fists, she
lifted him aside to raise the tailgate.
Three months
ago, toting him ten feet would’ve been impossible to imagine, despite her
work-honed arms and sturdy Choctaw ancestry. Squinting in the moonlight at the
dear face of the man who gave her life, his once burly frame reduced to a frail
skeleton by the wasting disease, she bit off a cry of pain.
Not now, she
ordered herself, choking on scalding tears. There’d be ample time for mourning
once she hid the body. Covering up his disappearance would be another matter
entirely.
From the time
she’d leaned over Father’s sickbed the night before to find him still and cold,
she’d known exactly what to do. She
sat at his bedside until the parlor clock struck three times, long past the
hour when even the restless Miss Vee had doused her lamp.
Slipping inside the barn, she’d hitched
Sheki to the wagon and loaded a shovel before pulling around to the door. The
hard part, the dreaded part, had been carrying Father through the house. It
took all the strength she could muster, of both body and soul, but somehow
she’d managed.
Mariah reached over the tailgate and
smoothed his hair. “Forgive me, Aki,” she whispered. “It’s the only
way.” Straightening, she wiped her eyes and steeled her trembling chin. She’d
come this far, and she’d see it through.
How can readers find you on the Internet?
Your readers can learn more about me at www.marciagruver.com . I’d love to hear
from them on my contact page or ‘friend’ them on Facebook.Thank you, Marcia. I love the peek into the book. Can't wait to read it.
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Bandit's Hope (Backwoods Brides)
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